Annual Conference


Theology and Culture and Literature and Annual Conference10 May 2013 08:58 am

owl

In about a month, a couple thousand United Methodist laity and clergy will gather on the beautiful campus of Grove City College for an important time that we call “Annual Conference.” We will sing and worship together. We will honor retiring pastors and ordain some new ones. We will study Scripture and hear presentations.

And, of course, we will discuss and debate legislation.

For some reason, my prayerful preparation for this year’s Annual Conference has taken my thoughts to Chuck Klosterman’s relentlessly entertaining novel “Downtown Owl” (published in 2008). The novel focuses on life in the mid-1980’s as it unfolds in the eccentric small town of Owl, North Dakota—a town where cable television is not available and where “disco is over but punk never happened.”

As the people of Owl proudly resist the narrative of popular culture, they invest their energies in those time-tested realities that seem to be woven into the DNA of the town’s lifeblood: high school football, hating the government, reckless sexual relationships, and the copious consumption of alcohol. In Owl, normalcy is impossible for outsiders to define, and even the lifelong residents have stopped trying.

Interestingly, church life is still important to a portion of Owl’s population. In fact, the local Roman Catholic church is very pleased with the arrival of its new priest, Father Steele, who is “a young, fat, affable, nebulously feminine individual who—in stark contrast to his predecessor—did not assume that all women were the intellectual equivalent of cows.”

In what I consider to be one of the most hilarious (and realistic) literary treatments of ecclesiastical decision-making that I have ever encountered, Klosterman takes the practice of Bible study (in a Roman Catholic context) and makes it the center point of a church-related controversy. The narrator in the story sets the stage in this fashion:

Traditionally, Roman Catholics are not big Bible scholars. Catholics focus on the Gospels; the rest of the Bible is what Protestants arbitrarily memorize for no obvious reason. Father Steele wanted to change this…[And so] five middle-aged women agreed to meet with Father Steele every Wednesday morning in the basement of the church rectory to debate the Word of God. That was September. By October, Vernetta Mauch hated Melba Hereford the way Nixon hated JFK. The feelings were mutual.

At the heart of this controversy is the question of what a Bible study should include. Vernetta Mauch believes that Bible study is best treated as an opportunity for individuals to relate the biblical stories to their personal experiences, and Vernetta has become quite adept at this practice. In fact, according to the narrator, “there was not a single anecdote from either Testament that Vernetta could not connect to specific dramatic events in her own personal history, or even to semi-dramatic events from the previous Friday.”

In short, Vernetta approaches Bible study as an opportunity to discuss the intersection of Scripture and her personal journey, much to the disdain of Melba Hereford. Melba, under the influence of a vastly different hermeneutical approach, resents what she perceives to be Vernetta’s efforts to use the Bible as a springboard for egocentric revelation: “You don’t know what you’re talking about,” Melba interjected when Vernetta tried to use Christ’s damning of a fig tree as a means to criticize her husband’s insistence on buying a new lawn tractor. “Buying a lawn mower has nothing to do with the Son of God. You’re ruining the Bible for everyone.”

For Melba, Bible study is not to be a time of personal revelation and application. Rather, it is to be a context for intellectual discernment in which a safe and dignified distance can be maintained between Biblical truth and the people who are pondering it (preferably in silence). So passionate is Melba about this conviction (and her dislike for Vernetta) that she encapsulates her angst into an administrative point of order: “I want to make a new rule,” Melba says during a Bible study. “From now on, no one can talk about their own life during Bible study.”

Like all good church people, they put it to a vote. The final tally was 3-2 in favor. As a result, “Owl now had the only Bible-study group in America where it was forbidden to tell any story less than two thousand years old.”

Klosterman’s deft and creative literary exploration of this fictional (but wonderfully true to life) milieu brought me to simultaneous laughter and sadness. I laughed because I heard in Vernetta and Melba the voices of hundreds of my past parishioners, all of whom had passionate convictions about what should and should not be included in everything from Bible study to worship, everything from sacramental practice to church music. The laughter, however, was accompanied by a strange sense of sadness over my remembrance of the Vernetta’s and Melba’s I have encountered over the years who wound up hating one another because of their drastically divergent views of what the church’s ministry should and should not accommodate.

When I ponder the relationship between Melba and Vernetta, it is impossible for me not to think about two women in my very first appointment who were locked in a seven-year feud over whether the American flag was to be located stage-right or stage-left of the altar. (Interestingly, when I suggested to them that it may be best for the American flag not to be present on either side of the altar, since Trinitarian worship bears witness to a Kingdom that transcends nationalistic identity, both women found an unanticipated unity in their shared dislike for their pastor’s “newfangled ideas!”)

I suppose that my point (and, I think, Klosterman’s) is that church can be a tricky place. It is a place where great potential exists for mystical intersections between the eternal and the commonplace. And yet, given the eccentricities, passions, and personalities of the church’s people, it can also become a fragmented and compartmentalized environment in which people are either loved or hated depending upon which compartment they choose to occupy. In such an environment, it is often difficult to avoid jumping into a murky sea of distorted priorities—a sea in which the church’s people are far more interested in the school of red herrings swimming around them than they are in the One who walks on the water and invites his followers to join him there.

And yet, after all the literary dust had settled, my reading of “Downtown Owl” left me with a feeling of gratitude for the church and its ministry. Klosterman, perhaps unintentionally, helped me to remember that the Church, at its best, is the only environment in the world in which Vernetta’s and Melba’s can be confronted by biblical truth and challenged to live into the reality of making Christ-centered peace amidst divergent convictions. The risk of such an environment, of course, is that people might wind up hating one another if their desire to win the argument become more passionate than their desire for Christocentric koinonia.

But, every once in a while, I still find Melba and Vernetta sitting beside one another in the same pew (or in the same row at Annual Conference)—singing together, praying together, and allowing the cross of Christ to bridge the gap between their contrasting personal preferences. In those moments, I tend to be awestruck by the church’s holy potential that is occasionally and beautifully realized.

I look forward to seeing many of you at Annual Conference. Please pray for our time together at Grove City. Pray for our Bishop as he prepares to preside. Pray for an outpouring of the Holy Spirit upon that robust gathering of United Methodist Christ-followers. Finally, pray that all of our “Melba’s” and “Vernetta’s” will be drawn closer to one another and closer to the risen Christ, whose Lordship is always far more unifying than our differing viewpoints are divisive.

Theology and Culture and Music and Annual Conference15 Jun 2009 11:56 am

unholy laughter
I have recently become enamored of the music of Regina Spektor, a Russian-born, New York-educated singer/songwriter, whose lyrics are refreshingly evocative and whose musical style calls to mind the artistic eclecticism of Tori Amos and Joni Mitchell. Interestingly, when asked to name her primary influences, Spektor is quick to mention The Beatles, Bob Dylan, Billie Holiday, Radiohead, Tom Waits, and Frederic Chopin. Spektor’s songs reflect the diverse musicianship represented by this list of artists.

Yesterday, while driving home from a week of holy conferencing in Grove City, Pennsylvania, I spent some time listening to “The Spectrum,” which is one of my favorite channels on satellite radio. It was during that drive home that “The Spectrum” introduced me to one of Regina Spektor’s most recent songs. Entitled “Laughing With,” the song is the most starkly theological portion of popular art that I have encountered in a long time. If you have a few minutes, give a listen to “Laughing With” here.

The song borrows its sentiment from the old adage, “there are no atheists in foxholes,” but gives to the sentiment new poetic expression—the kind of poetic expression that makes clear that some of our “foxholes” are deeply familiar and immensely personal:

No one laughs at God in a hospital.
No one laughs at God in a war.
No one’s laughing at God when they’re starving or freezing or so very poor.
No one laughs at God when the doctor calls after some routine tests.
No one’s laughing at God when it’s gotten real late and their kid’s not back from that party yet.

No one laughs at God when their airplane starts to uncontrollably shake.
No one’s laughing at God when they see the one they love hand in hand with someone else and they hope that they’re mistaken.
No one laughs at God when the cops knock on their door and they say ‘We’ve got some bad new, sir.’
No one’s laughing at God when there’s a famine, fire or flood.

Spektor, who is Jewish by birth and who has never publicized a personal adherence to a particular creed or set of doctrines, seems to be reminding her audience that there are moments in the human pilgrimage in which one’s mortality (or the mortality of those one loves) becomes so unsettlingly and terrifyingly clear that, at least for a moment or two, cynicism about the possibility of the Divine gives way to a desperate—and perhaps even unarticulated—reverence and hope for that which is beyond us.

In my own ministry, I have found this to be true on a number of different occasions. I have been frequently surprised, for example, by self-desribed “agnostics” or “atheists” in hospital beds who have grabbed my hand tightly and called upon me to pray for them just before their open-heart surgery or in the recent aftermath of their cancer diagnosis. I have stood in funeral homes with seemingly hardened cynics whose hearts suddenly became soft enough to acknowledge the possibility that death somehow bears witness to the reality of the One who is the Resurrection and the Life.

Please don’t misunderstand my point. I am not suggesting that all moments of life-threatening crisis lead to sudden conversion. In fact, in many of those moments, I have heard people curse God for what they perceived to be God’s absence or cruelty. But Spektor is right about this much: Irrespective of one’s theological persuasion, none of the people in life-threatening crisis whom I have encountered were laughing at God in those moments. None of them were reducing God to a theological debate or a casual afterthought. In moments of tearful mortality, it seems that God has a way of becoming very serious business.

And yet, as Spektor reminds us in the rest of the song, people of faith have a proclivity for “laughing” at God in a different way—by transforming the Gospel into a self-serving formula or by making the Holy Other into little more than a means to our personal ends:

But God can be funny
At a cocktail party while listening to a good God-themed joke.
Or when the crazies say he hates us and they get so red in the head you think that they’re about to choke.
God can be funny
When told he’ll give you money if you just pray the right way.
And when presented like a genie
Who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious
Ha ha
Ha ha

When I heard these lyrics yesterday, I found myself suddenly convicted of the myriad of moments in which I have, in essence, laughed at the holiness of God, mocking the very One who breathed life into the universe and life into my lungs.

Case in point, yesterday morning, I had the honor of being present for a Service of Ordination in which I sang hymns of praise as passionately as I could, prayed with conviction, stood with ordinands who offered themselves to the covenant of ministry, and opened my heart to the proclamation of God’s countercultural Word. In those moments of worship, I felt an intimacy with the presence of God that I wanted to preserve for ever.

Less than two hours later, as I drove home, I found myself deliberately creating in my thoughts a disparaging laundry list of all the things about the time of conferencing that did not suit my personal taste. It was a list that led me down a highly critical road against some of my brothers and sisters in Christ. In the privacy of my thoughts, I was quick to denigrate them for all that they did or didn’t do, for all that they said or didn’t say. As you might imagine, none of the criticism was constructive, since the people against whom I was offering it were not present to receive it or offer their perspective.

In less than two hours, I had moved from reverence to mockery. In less than 120 minutes, I had left behind the intimacy with the Divine that I had experienced in the ordination service and returned to the comfortable sin of unbridled negativity and disparagement of others.

I am not certain of how to describe the specifics of how such a transition happens so quickly. But, metaphorically speaking, such a journey is tantamount to the kind of unholy laughter at the Divine that Regina Spektor describes. In a sense, by moving so quickly to unbridled negativity in the aftermath of the ordination service, I was, to borrow Spektor’s poetry, crafting my own “God-themed joke,” in which my brothers and sisters were the punchline. I was reducing God into a comedic “Houdini” who appears whenever I feel like being reverent but who disappears whenever I want to be less than reverent.

So, in a strange way, Regina Spektor’s “Laughing With” brought me back to a spirit of reverence and holy awe, thereby making clear the fact that Jesus Christ is creatively at work, even in the artistry of people who may not yet be willing to acknowledge that it is Christ who inspires them.

My prayer is that, when I am tempted to trivialize or mock the Divine, my thoughts will be drawn to those moments all around me in which no one appears to be laughing. Because, after all, in the words of Regina Spektor,

No one’s laughing at God when they’ve lost all they got and they don’t know what for.
No one laughs at God on the day they realize that the last sight they’ll ever see is a pair of hateful eyes.
No one’s laughing at God when they’re saying their goodbyes.

Annual Conference09 Jun 2008 10:42 am

fat pastor

For those of you who don’t move in United Methodist circles, the Western Pennsylvania Annual Conference of the United Methodist Church will be in session this week at Grove City College. Some two-thousand United Methodist clergy, laity, and guests will gather to worship, deliberate, and discern. Hopefully, we will all behave with considerably more decorum than the dude in the photograph that precedes this post. (After all, everybody knows that a man should never wear gold with his Speedo until after the Fourth of July. Duh.)

So, I would like to pose a few general questions to those of you in blogland who will be attending this year’s Annual Conference:

How are you praying for Annual Conference this year? What are your expectations? Beneath whatever layers of cynicism may have developed within you over the years, what do you hope to experience in this year’s time of conferencing? Where do you expect to find the Spirit most at work? How do you prepare yourself spiritually for this yearly event?

I ask these questions because I am genuinely curious. I also ask them for the purpose of heightening my own sense of holy expectancy and to hold myself accountable for my attitude, since I am often guilty of approaching Annual Conference with the mindset of “business as usual.”

Save me, brothers and sisters! Bring me to fresh enlightenment! Share with me your percolating thoughts about our upcoming time at Grove City College!!

May all good things be yours (like Speedos and large religious jewelry).