September 2007


Uncategorized28 Sep 2007 06:10 am

Hello all!

Tara and I are sitting in the beautiful lobby of the Gran Hotel La Florida (in the hills overlooking Barcelona), making use of one of the hotel´s computers.  We simply wanted to send a brief word of greeting to our brothers and sisters in blogland.

It has been an incredible journey for us—one that has brought us into a condition of rest and rejuvenation that was desperately needed.  We have seen so many beautiful places.  And—I kid you not—not a single drop of rain!  Nothing but sunshine and blue skies wherever we have been.

We will be flying back to the United States early tomorrow morning (Saturday).  Please pray for us as we travel.  We miss yinz!

With love and gratitude,

Eric (and Tara)

Life Experience and Marriage08 Sep 2007 04:32 pm

Have I told you recently that my wife, Tara, is an incredible woman?

Well, she is. I thank God for her presence in my life every single day. Being Tara’s husband is an honor that I do not take lightly.

Tara turns 40 this very month. (I share that information with her permission, by the way, since Tara is not at all bothered by the revelation of such matters—one of the many things that I love about her.)

As part of our celebration of this very special birthday, we are doing something that we have never done before: We are taking an extended September vacation. And what a vacation it will be!

On Monday, we leave for Venice, Italy, where we will spend a few days enjoying that great city. During that time, we will also take a day trip to Bologna (where Tara spent her junior year of college). On September 15, we embark from Venice on a Mediterranean cruise. The cruise will include stops in Turkey, Greece, southern Italy, southern France, and Spain. In fact, if all goes as planned, the cruise will conclude in Barcelona and will come into port there on the morning of September 26th (Tara’s birthday). We will spend a few days in Barcelona before flying home on the 29th.

I am grateful to God for this opportunity to spend restful and rejuvenating time with my precious soul mate on the occasion of her birthday. I am also grateful for a nurturing congregation that has blessed its pastoral family by making it possible for us to be away during one of the church’s busiest seasons.

May I ask you to pray for us as we travel? Those prayers would mean the world to us.

I will miss our blog conversations over the next several weeks. I will rejoin you as October rolls around, hopefully with some new stories to tell.

Thank you all for being part of my life.

Grace and peace, until we chat again.

Reel Theology04 Sep 2007 01:40 pm

Tara and I saw Rob Zombie’s remake of HALLOWEEN on Friday night. As relentless cinematic optimists, we went to the theater hoping to experience a fresh and entertaining treatment of what has become a classic American horror film.

We were sorely disappointed.

Part of what makes the original HALLOWEEN so effective is that the audience never knows exactly why it is that Michael Myers becomes a sadistic killer. He’s a sort of nightmarish “everyman” whose character is all the more frightening because he comes from what appears to be a “normal” middle-class family. (Of course, the fact that he walks around in an old Captain Kirk mask only deepens the terror of his rampage! After all, Shatner’s face always heightens the intensity of things, doesn’t it?!)

Zombie’s attempt to provide an explanatory back-story to the Michael Myers narrative comes across as both clichéd and cinematically counterproductive. Quite simply, it is a story best left untold. By attempting to say too much in his film (and by doing it so ham-handedly), Zombie robs the audience of the opportunity to use its imagination when it comes to Michael’s origins and motives.

Also disappointing to me was the film’s relocation of HALLOWEEN’s cinematic emphasis from suspense to gore (and from imagined violence to a violence carefully and vividly depicted).

That said, seeing the film inspired Tara and me to explore these questions on the drive home: What have been some of the best movie remakes over the years? What makes a movie a suitable candidate for a remake? And how substantively can a director or screenwriter alter the original storyline before it becomes an artistic pillaging?

THE THOMAS CROWN AFFAIR comes to mind as an excellent remake. So does Martin Scorsese’s version of CAPE FEAR. Perhaps I would place John Carpenter’s version of THE THING on the list as well (an ironic placement, I suppose, given the fact that Carpenter directed the original HALLOWEEN).

Are there some others that you would name? How do you feel about this whole issue of cinematic remakes?

It behooves us to remember, after all, that, theologically speaking, all of us are “remakes”!!!!!

Theology01 Sep 2007 09:45 am

My blogging brother Randy Roda (superhero name: THE RODANATOR), in his response to my last post, wisely asked for a description of narrative theology. This is important, I think, given the fact that the narrative theological approach finds frequent expression, not only in our blog conversations, but also in much of contemporary theological discourse.

So, here goes.

Perhaps narrative theology can best be described as a 20th century reaction to Protestant liberalism’s individualism and its individualistic deconstruction of the biblical story. The narrative theological framework relies heavily upon the theological work of Karl Barth and Dietrich Bonhoeffer (especially in their high christology, their emphasis upon orthodoxy, and their strong advocacy of a communal approach to both biblical interpretation and the life of discipleship). Also essential in the development of narrative theology was the philosophy of Alasdair MacIntyre (whose concept of “virtue ethics” placed the focus of moral development upon the habits, patterns, and virtues of communities and the people they produce) and Clifford Geertz (whose “symbolic anthropology” took very seriously the matter of a community’s symbols and practices in the matter of framing reality).

If you are looking for some other contemporary theological voices that resonate with the tones of narrative theology, I would encourage you to explore the work of Peter Berger, Hans Frei, and Stanley Hauerwas (whose tutelage had quite an impact on me when I was at Duke).

Narrative theology, as I see it, revolves around the following foundational tenets:

1. Biblical interpretation must treat Scripture as a narrative if its truth is to be holistically and rightly discerned (as opposed to treating Scripture as a series independent revelations that can be prooftexted for the purpose of buttressing a particular theological argument). This doesn’t mean, of course, that narrative theologians cannot isolate certain biblical passages in our theological discourse. But narrative theology itself is, in many ways, a reaction against both liberalism’s and fundamentalism’s efforts to subordinate the entirety of Scripture to certain favorite texts.

2. According to the narrative approach, systematic theology misses the mark when it reduces theological conversation to a series of abstract theological propositions that have no real bearing upon our ethics and communal development. For the narrative theologian, systematic theology must treat theology itself as a narrative—the story of how the Creator relates to the Creation, followed by the story of how the “created” relate to one another.

3. Perhaps most importantly, narrative theology demands the presence of a strong communal ethic, since a community is needed if a narrative is to be formed, articulated, incarnated, and passed on to future generations. As a result, the Christian faith, for the narrative theologian, is not simply a matter of intellectual assent. It is more a matter of embracing (and being embraced by) a christocentric community’s distinctive practices, habits, and traditions, all of which enable a person to participate in the story (narrative) of God’s redemption. For the proponent of narrative theology, in other words, rugged individualism in the life of faith makes little sense. Faith must be discerned and lived out in an authentic and alternative community—a community that Hauerwas and Willimon describe as a “Christian colony of resident aliens.” These “aliens” love and engage the world and its people, but they are alien to its ethical frameworks because of their transformation by Christ in the context of a radically Christ-centered community of believers.

4. For the narrative theologian, the primary purpose of the church is to BE the church. The church, in other words, does not exist primarily as an American political instrument or as watchdog for American culture. Rather, according to narrative theology, the church exists to incarnate the kind of biblical and redemptive community that is unlike anything else that the world has to offer—a community that functions by a counter-cultural collection of ethics and behavioral patterns, thereby illuminating the new kingdom inaugurated by the life, death, and resurrection of Jesus.

Needless to say, narrative theology has been instrumental in the development of other post-liberal movements, such as radical orthodoxy (or paleo-orthodoxy), neo-evangelicalism, and, of course, the emerging church movement.

I came across the following quote recently on an interesting website: opensourcetheology.net. The quote, made by a “poster” named Andrew, sheds important light on the issue of narrative theology:

A narrative theology encourages us to draw meaning from larger structures. We are still prone to taking arbitrary proof texts out of context and building a predetermined case around them. Larger narrative structures are much more resistant to being bent to fit some reductive and rationalizing theological schema; narrative naturally allows for a diversity of perspectives without having to arbitrate between them…A narrative theology is informed not by a post-biblical belief system but by a community, which has to act and interpret its actions in the light of its theological tradition and experience.

If you wish to read more in the area of narrative theology, I would recommend the following works:

-The Eclipse of Biblical Narrative : A Study in Eighteenth and Nineteenth Century Hermeneutics (by Hans Frei);
-The Nature of Doctrine: Religion and Theology in a Postliberal Age (by George Lindbeck);
-A Community of Character (by Stanley Hauerwas);
-Why Narrative? Readings in Narrative Theology (edited by Stanley Hauerwas & L. Gregory Jones);
-Resident Aliens: Life in the Christian Colony (by Stanley Hauerwas & William Willimon);
-The Story of God: Wesleyan Theology and Biblical Narrative (by Michael Lodahl);
-The Promise of Narrative Theology: Recovering the Gospel in the Church (by George W. Stroup)

I hope that this helps.